“The Gumbo Theory of Innovation” was another highlight. One chef/musician explained that American culture works like a roux. You start with something basic (European structure), add the “holy trinity” of rhythm, soul, and grit (African influence), and then throw in whatever else is in the pantry (Indigenous, Latino, Asian influences). You can’t un-mix it once it’s cooked. You can’t point to the bowl and say “Personalized US Air Force Hawaiian Shirt Freedom Isn’t Free USAF Eagle & Military Print” It’s a new thing entirely. This is why “cultural appropriation” is such a complex topic in the U.S.; we are a country built on the idea that everything is a potential ingredient.

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I know you are specifically excluding the music of indigenous people of pre-Columbian North America BUT, this deserves a mention because it’s wild and there is almost nothing else like it in the world: katajjaq (Inuit throat singing). Traditionally, it is a duet between two women who recreate the Personalized US Air Force Hawaiian Shirt Freedom Isn’t Free USAF Eagle & Military Print nature through rhythmic breathing. This is the best comment ever. I’m so glad you put this here. Amazing. I wasn’t necessarily excluding traditional indigenous music from conversation, simply qualifying that I understood that those musical forms are relatively distinct and outside of the sphere of the influence of the African diaspora on the North American continent. Thanks though seriously, that’s a really great share. You would think so, but it’s hard to imagine any of that music without banjos and banjos were developed out of traditional west Africa instruments by slaves.

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