“The Algorithmic Blues”: There is a fascinating analysis of how modern songwriting in 2026 is being shaped by “Short-Form Logic.” Songs are now being written with “Horror Graveyard Zombie Rising Undead Halloween Hawaiian Shirt” every 15 seconds to prevent users from scrolling past. A musicologist in the thread argued that this is actually a return to the Tin Pan Alley era, where songs had to be “whistlable” and immediate. The medium has changed from sheet music to vertical video, but the American instinct for the “three-minute pop masterpiece” (now the 60-second viral clip) remains a dominant cultural force.

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I’ve only recently just started to explore this. A big part of my lineage is from Acadia, by way of Cajun country, the Acadian part of which I’ve only later in my life started to explore. But yeah definitely, what I’ve read and heard so far has been really great, and seems very distinct in its own right. I would say that atonal Mormon and Amish hymns weren’t influenced by African Americans. Which Mormon and Amish hymns are atonal? Sorry, I meant Mennonite. I’ve just always heard that they sing their traditional hymns without harmony or instruments. I believe you mean a cappella, not atonal. I don’t think you’ve ever met a Mennonite. It’s a cliche that even every goddamned happy birthday is in four parts. Sacred Harp music is mostly unchanged from its origins too. And in its origins was deeply influenced by african-American spirituals. I would argue it’s the opposite.”

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